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Showing posts with label whiskey blog. Show all posts
Showing posts with label whiskey blog. Show all posts

Saturday, 1 September 2012

How I Love My Coat of Many Colours : The Macallan Whisky 1824 Series



When you look at a bottle of scotch whisky, which key elements on the label draw your interest? Is it the word 'single malt'? Is it the age statement? Maybe it's the brand name? All of these touch points we, as whisky drinkers, have become familiar with over time and each is protected by a trade organisation called the Scotch Whisky Association (SWA) in legal guidelines.

These guidelines are there to protect you, the consumer, so what's written about on the label reflects accurately what's in the bottle.

There is one area which the SWA does not have any guidelines on and that is the use of E150a, caramel colouring (other than to allow its use).

The addition to whisky of a colouring agent is nothing new. Companies have been doing it for a long time and those who do claim it has no taste side effects to the liquid and that its use is purely to create consistency in the look of the liquid for the consumer.

However, aside from some local laws in certain countries, when E150a is used the whisky producer is not obliged to state on the label its inclusion, thus you have no way of knowing if it has been used or not. Well, that is unless the producer chooses to tell you and, in this age of traceability and authenticity, it's more likely that a whisky company will tell you when they HAVEN'T used it and some whisky producers actively state that they do not use any colouring agents in their products.

One such whisky house to leave their liquid 'au naturale' is The Macallan, who are releasing a new range of whiskies created by The Macallan Whisky Maker Bob Dalgarno (left) which focus on colour, as opposed to age under the banner of The 1824 Series.

The four new offerings are all 'No Age Statements' and named roughly after their own colours; Gold, Amber, Sienna and Ruby. These are to be released in slightly different markets (Gold in the UK and Canada, Amber in Europe and the other two pretty much everywhere) replacing the 10 - 17 year old Sherry and Fine Oak offerings. This means that if you want to buy a bottle of The Macallan with an age statement on the front, the youngest will now be 18 Years Old (currently sitting at around £100 a bottle).

The new expressions will increase in price as you go up through the range, with Gold starting at about £35 in the UK (Amber being similarly price in Europe), Sienna being around £75 and Ruby weighing in somewhere near the £125 price point. So, the darker the liquid, the more expensive the whisky. But why?

Well, the justification for this is that all casks act differently. So, The Macallan are saying that age is NOT a great indicator of the flavour of the whisky; a fair point to make. I've had 40 year old whisky that could pass for 12 years old, and 4 year old whisky that could pass for 40 year old whisky. It really DOES just depend on that individual cask.

However, an age statement will give some idea as to what the liquid in the bottles tastes like, so if you remove the age statement (and the whys-and-wherefores of that argument is a post in itself) there still must be some way for you, the whisky consumer, to have an indication of the flavours you'll get from the whisky you're buying. In this case The Macallan believe that you'll be able to tell from the colour. The reason for the price hike between colours is that, according to The Macallan, the more active casks which give greater colour and greater intensity of flavour, are much more scarce. Therefore, when creating an expression that is much darker / intense, the liquid is harder to find.

No doubt this bold move of creating 'wysiwyg' no age statement whisky will spin off long debates across both the digital whisky community and the printed press on the matter. (Engage us on twitter about it if you like @WeHeartWhisky, or on our facebook wall www.facebook.com/caskstrength) But the real key is the liquid. Is it any good?



The Macallan - Gold - 1824 Series - NAS - 40% abv - £35-ish on release.

Nose: Honey and lemons, hints of candied oranges and orange cream chocolates, all underpinned with freshly baked flapjack.

Palate: Orange blossom, juicy fruit chewing gum, lemon sherbet and some pineapple juice tones. There is also an appley note to the palate. Really very easy drinking and quite delicious.

Finish: Hints of cinnamon spiced cooking apple with vanilla ice cream.

Overall: This is a super 'entry level' whisky which is just so easy to drink. I don't know if it is psychosomatic but it reminds me of the old Johnnie Walker Gold label. I can see this whisky, at this price point, being a stable in my cabinet and is a really great example of a classic Speyside whisky.



The Macallan - Amber - 1824 Series - NAS - 40% abv - around 45 Euro on release.

Nose: Ginger, melted butter, freshly cut pine underpinned with warm lemon and sugar pancakes.

Palate: The palate on this expression is far more oily than the gold, giving off apricots and maple syrup, plums and damsons.

Finish: Some juniper hints, lemon peel and cinnamon. The flavours in this are almost Negroni-like.

Overall: With its Negroni flavours, this whisky would make a great aperitif and should find real favour in places like France as a pre-dinner perk.



The Macallan - Sienna - 1824 Series - NAS - 43% abv - around £70.00 on release.

Nose: Strong and robust, the nose gives burnt sugar, some blackcurrants and a hint of marmite of hot toast as well as a freshly opened tin of floor polish.

Palate: Allspice, blackcurrants and a huge hit of cherry and dark chocolate. Big and oily, this palate is full of late summer fruits.

Finish: Lots of ginger, more blackcurrant and even more black cherry juice.  

Overall: Excellent, full bodied whisky packed with flavour.




The Macallan - Ruby - 1824 Series - NAS - 43% abv - around £120.00 on release.

Nose: The aroma of freshly roasted coffee beans is followed by cardamom, fennel and dark chocolate mousse.
Palate: Even more oily and mouth-filling than the previous whiskies, this has red grapes, fresh figs and some hints of strawberry jam.
Finish: The red cherry won't give up on this expression either, but this is much more reduced (in a cooking sense) and gives a more intense, richer flavour than the Sienna.
Overall: Same as above, this is an excellent, full bodied whisky packed with flavour.


Well, tasting the range in full, one can certainly see a clear linage in the intensity of flavour from the Gold though to the Ruby. Our pick was the Gold which we thought was just a down-right excellent dram, whatever the (no) age or the colour. The Macallan seem confident that this new way of talking about whisky, through the medium of colour, is the right direction for their whiskies and that the consumer will understand the concept of colour relating to flavour and scarcity.

However, re-educating the consumer away from age to colour isn't going to be easy. We all know that older whisky is rarer whisky ("angels' share" and all that) but will anyone grasp the concept that darker whisky is rarer and thus more expensive. Take the Aberlour a'Bunadh: a no age statement, non-chill filtered, non coloured Speyside single malt whisky that is traditionally a very dark liquid. This currently retails at £35. But, if we're equating colour to cost and quality, this should be a £125 whisky (if not more). If colour rules and the a'Bunadh is side by side on the shelf with The Macallan Gold, which does the newly educated consumer choose? Same price point, same region, both NAS... the perceived value of the brand notwithstanding, it's a draw on all categories except one: colour. And if you're asking the consumer to choose on colour, then in that fight there is only going to be one winner.

At the end of the day, it's the liquid that matters and our feeling is that the price points for these new Macallan whiskies are actually pretty fair; I just hope the back story being told to justify those prices isn't overly complex. Sometimes a nice plain three piece suit is far more classy than a coat of many colours...

Thursday, 23 December 2010

WhisKey To Success


Distilleries are getting smarter. They understand the power of social networking and nearly every distillery has a great website with a chance to join some sort of "club" for unique offers, news stories and other general entertainment.

Their lists of competitions open to members is also becoming increasingly interesting, focusing in on opportunities for people from all over the world to visit and, in some cases, work at a distillery.

The Glenrothes Distillery is currently running their Whisky Maker competition and earlier in the year, Bushmills ran the Make It At Bushmills competition to give the chance for one winner to work a the Distillery with the ultimate goal of creating their own whiskey.

I was lucky enough, along with singer-songwriter Foy Vance and the Irish Rugby Legend that is Keith Wood, to help judge the competition. The winner was a Bulgarian chap called Ivan, so we got him to write us a blog post about his time at the Distillery and what it was like to make his own whiskey.

"“Winning Make it at Bushmills was one of the best things that has ever happened to me! On the day when it announced who would be the finalist from Bulgaria at the Global Final, I was working as a Life Guard and I didn't have my phone on the beach. Bushmills called me 15 times to try and tell me that I was the Bulgarian finalist and decided to give me one last chance to answer…luckily I heard the phone ringing through the door as I was coming home and rushed to answer it. The news that I would be going to the Bushmills Distillery was a great early birthday present for me as I turned 28 two days later!

The feeling of winning something like Make it at Bushmills against such strong competition is unbelievable! It’s like applying for your dream job with thousands of people from all over the world and they choose you above all!! When I got home to Bulgaria after Bushcamp [the worldwide final of the competition, held at the Bushmills Distillery] I was already famous. I was all over the news - every major newspaper had an article about me and I started giving lots of interviews for all kinds of media.

When I went back to Northern Ireland to take up my dream prize, I received rock star treatment. I was picked up from the airport and driven to an awesome huge luxury penthouse apartment which would be my home for the next 30 days. Also the distillery set me up with a car, phone, laptop and camera. I couldn't wait to meet Colum Egan, the Distillery Manager, the Distillery Director Gordon, the Distilling Manager Darryl and the rest of my new family at Bushmills. The first day was overwhelming. Colum giving me the famous red shirt that everybody who works at the distillery wears. It was an epic moment. I then spent lots of time meeting basically everybody who works at the distillery!

I spent my 30 days at Bushmills working in different departments to see all of the stages of the whiskey making process. It gave me a great understanding of the magic of making Bushmills - I felt so lucky to have such an incredible opportunity.

I also went to Cork to learn how barley is converted into malt. I was very impressed by the complexity and the size of the process! Now I fully understand the big difference between barley and malted barley and how important it is in whiskey making.

The Bushmills Master Distiller, Colum Egan saved the best for last. As I had proved that I could ‘Make it at Bushmills’, I was given the unique chance to make my own kind of Bushmills Whiskey. What an honor! It took me two days of walking from cask to cask, from warehouse to warehouse, restless, tasting and smelling all of the liquids to choose which ones I would blend together to make my whiskey.

It was hard work choosing them, but somebody had to do it! I had to use all of what I had learned at the distillery for the past month and apply it to making my own whiskey.

On the eve of the day when I would finally create my whiskey, Colum invited me and my brother (he got to join me for a few weeks as part of my prize) for a dinner where we met his family and his dog called Whiskey (I wonder why?). This meant a lot. Family is so important to me and Colum introducing me to his made me feel very special. We had a fantastic time and it gave me new confidence in my task!

I confided in Colum that the whiskies that I had chosen had the Bushmills character, but I wanted to add something that reminded me of ME in it. He introduced me to his very special reserve of whiskies to see if they had the character that I was looking for. I chose an 18 Year Old Single Malt Whiskey, aged in a cognac cask and never used in a Bushmills Whiskey before. When I smelt it, I knew right away that this is it! It reminded me of home – fresh and rich ingredients and such a full and long lasting flavor, so I knew this would be the secret weapon in my quest for my perfect whiskey!

I added it in to what I had already had designed and “et voila”! I had the whiskey that I had dreamed of! I was finally satisfied with my achievement! When Colum and the crew at the distillery all tasted it, they were really impressed and proud of me! We got ‘Ivan’s Whiskey’ bottled and labeled and then it was time to say goodbye to my new family. It was emotional to say the least. Everybody told me that I'm part of the Bushmills family now and forever. I've got so many invitations to visit back and naturally I also invited them all to come and visit me in Bulgaria. Thanks to Colum and everybody at the distillery for having me…you made my dreams come true! Now I am ready to take on a new challenge!”


Bushmills - 16 Years Old - 40%

At times, I will struggle with Bushmills. Not necessarily the whiskey, but the branding. Sometimes a blend, sometimes a single malt. I wish they'd find a different brand to house their grain and malt mix under. Anyway, we recently reviewed their 21 Year Old which was good, but not mind blowing. Getting to know this range a little more this year, the stand out whisky for me is this 16 Year Old.

Nose: Deep in colour, this is transferred to the nose with rich wood spices, some cinnamon and orange zest. A hint of clove mixes with some fresh green herbs and a touch of spearmint.

Palate: The wood effect on the palate is not drying but creates a mouth-coating whiskey which gives off some stewed red summer fruits, but tempered with a subtlety that doesn't scream "SHERRY CASK!!" in your face at the top of its voice, yet whispers it, probably a bit too quietly, in your ear. It gets its point across, but maybe needs to be a bit more passionate about it.

Finish: There is a distinctive Bushmills finish to this whiskey. Slightly spicey, smooth and just a hint of kumquat.

Overall: A solid whiskey and the pick of their regular releases.